Putting in the extra time to figure out the v-ray issue really paid off - I don't think this model would be nearly so successful if the reflective surfaces and glass had remained flat and undifferentiated.
I think it's safe to say that the render machine hates me. Case in point: in render, the inside of the light assembly does not render? But it's fine when I snip it directly from rhino? Changing the angle of the light does nothing, and I'm working at final quality so I'm a bit stumped. I'm going to keep searching for a solution though. Render two came out a bit better- I futzed with the iors on some materials, changed some reflectivities and was able to get some advice from a CAD technologist - I will continue to mess with the ray tracing options and adjust the textures. It's just not an acceptable solution for the interior chrome details to be one washedout plane.
What is the point of the remix? Why not just create something new? Well, what's new? To be honest, at first thought, it seems like not much. We live in a culture of constantly rebooted IP's intended to draw nostalgia bucks from our wallets. We consume content created by mega-huge sources with the expectation that we don't participate, we buy. We can't fix our own phones, we sometimes can't legally even participate in modifying them, instead we buy new phones when they become damaged or obsolete. That's read-only culture - passive consumption of media created by relatively small creative centres and a strong delineation between content providers and content consumers. What's read-write? Active participation in the media, which we create AND consume. It's a culture which encourages innovation upon the existing. It doesn't penalise those who take apart the things they have to use the building bricks to create new things. Editing the existing to service
It's no secret that creating art can be painful. It can be awkward and ungainly, crooked and cramped. Even with the luxury of a studio space in my home, I find myself shuffling between computer, drafting table, kitchen table and the lazy boy. Why? Because I suffer from chronic back pain - and art school isn't helping! In the documentary, Objectified , Dan Formosa tells us that by designing for the extremes, we also service the middle. If I could improve the space I use to make art, in a way that is accessible to active people with healthy backs, this would allow me to design something that was functional for a large range of people. The problems: Space. Mobility - the less I walk, the longer I can work. Multi-functionality - I need to be able to paint, make comics and work digitally. I also need something that can be put on a coffee table, a computer desk, or even in my lap. I took to heart Marc Newsom's advise to disregard current references - I didn't want my form
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