Putting in the extra time to figure out the v-ray issue really paid off - I don't think this model would be nearly so successful if the reflective surfaces and glass had remained flat and undifferentiated.
Well, we made it to semester end. Our chess set designs were finalized, and we booked times into the lab to print. I had known from the beginning that I wanted to lean strongly into 3D printings ability to construct a layered intricate product that could self-support - I had handled the example prints in the lab and really got a sense that this was a rigid lightweight plastic that would hold itself up as long as I gave it a sufficient base and stayed mindful of its gravity center. I love that 3d printing can create these spire-like hollow forms, with peekaboo cutouts between forms so I hoped to bring that into my print. Whilst these designs are possible in wood or clay from a technical sculptural standpoint, I do think they work best in print and showcase what I admire about the material. I blogged my concepts previously - but this was the winning concept Concept sketches Peer feedback went well - I had some trouble deciding between the dinosaur concept and the man who was devoured b
It's no secret that creating art can be painful. It can be awkward and ungainly, crooked and cramped. Even with the luxury of a studio space in my home, I find myself shuffling between computer, drafting table, kitchen table and the lazy boy. Why? Because I suffer from chronic back pain - and art school isn't helping! In the documentary, Objectified , Dan Formosa tells us that by designing for the extremes, we also service the middle. If I could improve the space I use to make art, in a way that is accessible to active people with healthy backs, this would allow me to design something that was functional for a large range of people. The problems: Space. Mobility - the less I walk, the longer I can work. Multi-functionality - I need to be able to paint, make comics and work digitally. I also need something that can be put on a coffee table, a computer desk, or even in my lap. I took to heart Marc Newsom's advise to disregard current references - I didn't want my form
At first I wasn't sure I was going to be able to find enough surface design patterns around my house to get a good sample...but once I started looking I kept finding more and more. Love this shirt on my partner - did not feel like I had enough time in my life to attempt to replicate it though This pattern was neat but too organic to replicate at my skill level After locating the samples, I booted up rhino and began to attempt to replicate the patterns I had found, starting with the simpler patterns that drew my eye. the pattern from our laundry basket and some variations tessellation inspired by my mask's beadlike flowers based on the carved candle holder exploring Pendleton-like designs a floral motif from a plate After replicating sections of designs, I started to have a concept - of integrating some of the disparate elements of my life together. As a biracial person, both Indigenous art and western art are parts of my life and experience - and I am capable of making both
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