As pleasant as this pattern was visually, there was just NO WAY it was going to be replicable within 4x4" - it was just too detailed with some really minuscule elements that didn't carry across rescaling. Once that was clear, I spent a class redesigning the pattern, from its original inspiration sources, into something familiar to the above concept but lasercut-able. Knowing it was going to be cut from its background, but also that it could only be coloured through burning, I worked to those limitations/ possibilities. I reworked the pattern so that it would also work in greyscale, and then set up a series of small delicate lines and rings that would be hard to fashion without the precision of a laser. Paper or softer plastics would be floppy, so it was important to me that the wood's faktura would be appreciated instead of overlooked. The red lines indicate where the laser would cut - knowing that wood could stand some carving out, I really leant into those fra...
Papercraft - modern, ancient. An accessible material that can produce impressive sculptural work but also can require an almost inaccessible amount of time, energy and patience. A two dimension writing surface co-opted in three dimensional art. There's a wide field of work being produced with an assortment of tools aided by many types of paper available, and it becomes clear that papercraft isn't necessarily a unified practice, but instead on overarching term in which many sub-categories exist using the same material with different tools to different ends. Vincent Tomczyk is a papercraft artist who has been documented by Colossal for their extremely life-like paper objects that mimic everyday items - clothing, seating, utilitarian objects. In their own artist statement , Tomczyk describes the use of these objects to connect and to recapitulate the emotional essence of the original in a functionless simulacra. Many of the objects are well-worn, hinting at a history of u...
Here we are at the end of the semester Winter 2021, considering our last class of OBDF 110a and our futures. We came together in this class for a multitude of reasons, and are leaving with an even greater number of skills and solutions. Let's look back over the semester as it pertained to me and my projects. 1) The Objectified Response I was aware that there was a large breadth of design processes, individualized to people and companies but I'm not sure I was ready to have so many downloaded into my brain at once. Regardless I sifted through the various approaches until I found one that gelled with me. Then I applied that to a problem in my own home to design a solution that I still think is very elegant for someone with no experience in CAD and very little experience in 3d design. The largest challenge here was getting TOO much help from my partner who was very interested in my homework and kept trying to solve the design problems for me. We solve things very differe...
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